Artemisia Gentileschi: Susanna and the Elders.
Through Artemisia Gentileschi’s Susanna and the Elders published in Italy in 1610 C.E. and William Shakespeare’s Taming of the Shrew printed in Britain in 1612 C.E. it is visible that inequalities between men and women have been prevalent for centuries all over the globe.
Creation. Artemisia Gentileschi was roughly twenty years of age when she painted Judith Slaying Holofernes.Previously, Gentileschi had also completed Susanna and the Elders and Madonna and Child.These artworks already given an indication of Gentileschi's skill in representing body movement and facial expressions to express emotions. X-rays undertaken on the painting show that Gentileschi made.
Orazio and Artemisia Gentileschi. New York: The Metropolitan Museum of Art, 2001. Christiansen, Keith, and Stefan Weppelmann, eds., with essays by Patricia Lee Rubin, Beverly Louise Brown, Peter Humfrey, and Rudolf Preimesberger, and contributions by Andrea Bayer, Francesco Caglioti, Eleonara Luciano, and Stephen K. Scher.
Artemisia Gentileschi was clearly proud of the Uffizi Judith Slaying Holofernes, signing it in the lower right corner. In it she demonstrated her mastery of the language of Baroque realism, exploiting its emphasis on proximity to the picture plane, strong chiaroscuro, and realistic details to create an especially potent depiction of the story’s dramatic climax.
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Judith slaying holofernes artemisia gentileschi. The Uffizi Judith was likely either commissioned by or gifted to the Medici, Florence's ruling family, the same family that commissioned Donatello's famous bronze sculpture of Judith and Holofernes in the late 15th century (left).
The Unheroic Act: Representations of Rape in Contemporary Women’s Art in the US encompasses works by twenty women artists and collectives across three generations—Yoko One, Ana Mendieta, Senga Nengudi, Suzanne Lacy, Lynn Hershman Leeson, Carolee Thea, Jenny Holzer, Kathleen Gilje, Angela Fraleigh, Natalie Frank, Jennifer Karady, Sonya Kelliher-Combs, Andrea Bowers, Ada Trillo, Kara Walker.